Hello, Dark Soul!
In a world of hollow fragrances, Necros Fragrance craft scents steeped in dark tales, lost loves, and curses.
Necros Fragrance was born in 2025 from an obsession with what lingers after life vanishes: the scent that clings to an empty room, the stillness between gravestones, the breath of something you can’t quite see. From the start, perfume was never just about smelling beautiful. It was a vessel. A way to summon, to bind, to keep the dead close.
Its creator, with a background in psychology and a lifelong pull toward the occult, treats perfumery like an act of necromancy. Every vial is a drawn circle. Every drop, an unspoken word. Resins, woods, musks, and rare synthetics aren’t just ingredients, they’re pieces of an altar, placed with precision and charged with intent.
For Necros, death isn’t an ending. It’s a shape you can hold in your hands. These perfumes speak the language of black magic and old rites, invocations built not to comfort, but to summon. Each fragrance carries the shadow of something that shouldn’t return… yet does.
We make perfumes for those who linger at the threshold, who know that beauty and death often share the same skin. In Necros, every accord is a spell, every note a binding, every bottle an afterimage from the other side.
Our perfumes are cruelty-free, IFRA-compliant, and made in small, deliberate batches in Belgium. Every ingredient is chosen for clarity, potency, and persistence. The old ways aren’t gone - they’re sealed in glass, waiting for you to break them open.
The Story
In those times when forests still had names and rivers were considered alive, scents were not created, they were summoned. Not everyone had the right to do this. Only those who knew how to listen to the earth, who understood that fire speaks, and when silence is more dangerous than words.
The scent was not born in daylight. It was born in twilight, between evening and night, when boundaries grow thin and the breath of ancestors feels closer than the wind. A fire was lit within a circle of stones, and into it fell dark, sticky resins from trees that had seen more than humans ever would.
The smoke rose slowly, carrying the memory of the forest, roots sunk deep into time. At that moment, herbs were gathered not by sight, but by intuition. One grew in marshlands where the earth whispers; another at the forest’s edge, where it is said old spirits still wander.
Their bitterness and sweetness were not balanced by taste, but by signs.
Into the mixture went things that cannot be described:
the dampness of night, ashes from ancient altars, petals kept beside the dead so they could find their way.
This was not done to please.
It was done to remember.
When the scent touched the skin, there was no question of whether it suited you, only a sensation, as if the body recognized an old mark, as if something long forgotten had been invited to return.
This scent does not reveal itself at once. At first, it recalls earth and smoke; later, the warmth hidden beneath ashes; and finally, a sweetness that does not seduce, but remains quiet and mournful, like wreaths woven not for beauty, but for passage.
This is not a scent for everyone.
It chooses.
It stays with those who still feel ancient roots in their bones, who dream of forests even while living among walls, who understand that nature is not a backdrop, it is a guardian.
You do not wear it to be noticed.
You wear it to remember that others came before you, that scent is a bond, that fire is still alive, and that the forest is listening.
And when it lingers on your skin, it does not mean that it belongs to you.
It means that you have become part of it.
The Perfumer
Vita Kazlauskaitė is the founder and perfumer behind Necros Fragrance - a niche perfume house where scent is approached as ritual, memory, and material form.
The brand was born from profound personal loss: the death of someone deeply important in her life. From that rupture emerged not only grief, but a need to give form to what cannot be held: absence, memory, longing, and the strange beauty that exists at the threshold between life and death. Necros Fragrance was created from that place: not as an abstract concept, but as a response to mourning, transformation, and the enduring presence of what remains.
With eight years of leadership experience in corporate business, Vita Kazlauskaitė brings strategic precision and a sharp understanding of communication, persuasion, and human behavior into the world of perfumery. Her professional background extends across science, teaching, and the beauty industry, giving her work a rare intersection of analytical depth, cultural sensitivity, and aesthetic awareness. She holds a degree in Psychology and a Master of Science in Integrated Communication, shaping an approach to fragrance that is both emotionally intelligent and conceptually rigorous.
Rooted in Lithuanian cultural memory, Necros Fragrance draws from the darker textures of heritage: forests heavy with silence, histories marked by grief, and the uneasy beauty found between the sacred and the decaying. These influences are not treated as ornament, but as foundation, informing a body of work that is atmospheric, psychologically charged, and deliberately outside the conventions of mainstream perfumery.
For nearly a decade, Vita Kazlauskaitė has developed her perfumery practice through independent study, experimentation, and disciplined work with raw materials. Her compositions are built through tension and contrast: resins and woods, musks and aldehydes, softness and rupture, elegance and decay. Each formula is developed not simply to smell beautiful, but to evoke presence, memory, disturbance, and emotional resonance.
At Necros, perfume is not treated as an accessory. It is treated as an experience - one capable of carrying symbolism, atmosphere, and feeling in a form that lives on skin. Every creation is conceived as an encounter: intimate, unsettling, luxurious, and alive with meaning.
Necros Fragrance is a house devoted to giving death a form, and to translating the unseen into scent. Each bottle stands as an object of beauty and disturbance - a haunting made tangible.
Spooky wishes and ghostly hugs,
Vita
Meet the Creatures Behind Necros
Necros was not built by a polished corporate committee sitting around a white table discussing market-friendly shades of beige.
It was created by people who believe perfume should disturb something in you.
Behind every fragrance, photograph, parcel, campaign and suspicious message from the other side is a very small team working with a very large number of ideas, materials and poorly supervised spirits.
We create everything with intention, obsession and just enough chaos to keep it alive.
Founder, Perfumer & Creative Director
Vita Kazlauskaitė
Vita is the founder, perfumer and original summoner behind Necros Fragrance.
She created Necros as a rejection of everything fragrance was apparently supposed to be: smelling-safe, predictable, polished and easy to understand.
She develops every Necros fragrance from its first disturbing idea to the final formula.
Vita is responsible for the formulas, creative direction, product development, safety, compliance and most decisions that begin with, “This may be a terrible idea, but listen.”
The spirits technically report to her.
They rarely acknowledge this.
Social Media Manager & Lead of the Spirits
Johanna Pihlajamäki
Johanna overlooks Necros from Finland, which immediately gives her an unfair advantage in matters involving darkness, forests, long winters, and things that whisper when nobody else is around.
She oversees the Necros social universe shaping content, leading campaigns, crafting stories, and managing the daily lives of the creatures inhabiting our accounts.
The spirits approved her appointment because she is a witch, largely immune to intimidation, and just rabid enough to keep them in line.
When Necros appears on your feed, Johanna is likely somewhere behind it - planning, directing, and trying to prevent unnecessary conflicts.
P.S. She does not promise to make them behave.
Designer & Interpreter of the Spirits
Quentin Cornet
Quentin reads what the spirits want and gives it a visible form, which is considerably harder than it sounds, as they refuse to communicate through anything resembling a normal design brief.
He is behind most of the visual world of Necros: shaping packaging, labels, campaigns, and the many strange details you see emerging from the darkness.
A metal musician with an unhealthy obsession with the North, Quentin already possessed a natural understanding of cold landscapes, ancient symbols, endless darkness, and things best encountered by candlelight.
The spirits approved him because he listens carefully, understands that “make it darker” is a perfectly reasonable instruction, and knows how to turn their incoherent whispering into something beautiful.
When Necros looks particularly good, Quentin is usually somewhere behind it, designing, interpreting, and politely asking the dead to stop changing their minds.
P.S. They will change their minds anyway.
Copywriter & Keeper of Words
Daina Kavaliauskaitė
Daina is the person behind the texts, translations and the quiet discipline that keeps the Necros website from descending into complete chaos.
She ensures that every sentence says exactly what it should, no more, no less, while maintaining the unsettling tone that Necros requires.
Part human autocorrect, part creative mind, she refines ideas, sharpens language and makes sure that even the strangest concepts remain readable, intentional and disturbingly precise.
If something sounds right, flows well and still feels slightly off in the best possible way, Daina has likely been there.
Customer Support & Unlicensed Creative Department
The Spirits
Nobody remembers hiring them.
They arrived shortly after Necros was created and have since assumed responsibility for unsolicited commentary, questionable announcements, customer support, surveillance and occasionally useful marketing ideas.
Their primary activities include:
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invading the Necros social accounts;
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finding unfinished content on Vita’s phone and leaking it;
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insulting everyone and everything;
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demanding samples;
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threatening to reveal new fragrances too early;
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claiming credit for work they did not do.
They are supervised by Johanna.
This arrangement remains under observation.